SALT LAKE CITY— The
Utah Symphony and guest conductor Jun Märkl will stamp their musical
passports as they perform the colorful creations of French impressionist
composers Claude Debussy and Maurice Ravel.
Märkl
and the orchestra will first travel through the symphonic paintings of
Debussy’s charming “Petite suite” and “Ibéria” No. 2, December 7 and 8,
at 8 p.m. at Abravanel Hall. Then, French pianist Pascal Rogé will join
the orchestra for Ravel’s enchanting Piano Concerto in G major. The
concert will conclude with Ravel’s “Rhapsodie espagnole.”
These two Parisian orchestral music icons showed the world what it truly meant to “paint with sound.”
Debussy’s
music is best known for its fluidity and sensory component. The notes
float lyrically and do not often settle to form around a particular set
of notes or key. He was an innovator who wove the joys and turbulence of
his life into his music. The sweeping emotion in his passages glitters
with melodic tonality, showcasing his poetic brilliance.
Ravel
was inspired by his mother’s Spanish heritage, and the influence of
traditional Basque music can be heard in his works. In many ways, Ravel
regarded himself as a classicist, yet he was not solely dependent on
classical tradition. His intricate modulations, complex harmonies and
avant-garde melodies have made him one of France’s most beloved
composers.
Märkl,
Rogé and Toby Tolokan, Utah Symphony Vice President of Artistic
Planning, will present a free pre-concert chat each night, one hour
prior to the start of the performance on the orchestra level of
Abravanel Hall.
Single
tickets for the performances range from $18 to $53 and can be purchased
by calling (801) 355-ARTS (2787), in person at the Abravanel Hall
ticket office (123 W. South Temple) or by visiting www.utahsymphony.org.
Discounted student tickets will be available on the date of the
performance. Season ticket holders and those desiring group discounts
should call (801) 533-NOTE (6683). All ticket prices are subject to
change and availability. Ticket prices will increase $5 when purchased
on the day of the performance.
Jun Märkl, Conductor
Jun
Märkl conducts the world’s leading orchestras, such as the Cleveland
Orchestra, Philadelphia Orchestra, NHK Symphony Orchestra, Czech
Philharmonic, Munich Philharmonic, Oslo Philharmonic and Tonhalle
Orchester Zürich. He has long been a highly respected interpreter of the
core Germanic repertoire from both the symphonic and operatic
traditions, and more recently for his refined and idiomatic Debussy,
Ravel and Messiaen.
Märkl has conducted for many years at the state operas of Vienna, Munich and Semperoper Dresden, and was until 2006 Permanent Conductor of the Bavarian State Opera. He made his Royal Opera House, London, debut with “Die Götterdämmerung” in 1996 and at The Metropolitan Opera with “” in 1998, has conducted complete “Ring Cycle” at the Deutsche Oper Berlin and at the New National Theatre Tokyo, and toured to Japan in 2007 with the Semperoper Dresden (Tannhäuser). In 2014 he conducts “Fidelio” at the Hamburg State Opera.
Born in Munich, his (German) father was a distinguished Concertmaster and his (Japanese) mother a solo pianist. Märkl studied violin, piano and conducting at the Musikhochschule in Hannover, going on to study with Sergiu Celibidache in Munich and with Gustav Meier in Michigan. In 1986 he won the conducting competition of the Deutsche Musikrat and a year later won a scholarship from the Boston Symphony Orchestra to study at Tanglewood with Leonard Bernstein and Seiji Ozawa. Soon afterwards he had a string of appointments in European opera houses followed by his first music directorships at the Staatstheater in Saarbrücken (1991-94) and at the Mannheim Nationaltheater (1994-2000).
Pascal Rogé, Piano
Born
in Paris, Pascal Rogé became an exclusive Decca recording artist at the
age of 17. He has won many prestigious awards including two Gramophone
Awards, a Grand Prix du Disque and an Edison Award for his
interpretations of the Ravel and Saint-Saens concertos. For the Poulenc
Edition in 1999 Rogé recorded both piano concertos, the Aubade and the
Concerto Champêtre all under Charles Dutoit.
Rogé has performed in almost every major concert hall in the world. Some of the orchestras he has appeared with include the Philadelphia Orchestra, the Montreal Symphony, L’Orchestre de Paris, L’Orchestre National de Radio France, the Royal Concertgebouw Orchestra Amsterdam, the NHK Symphony Orchestra Tokyo, the Vienna Symphony Orchestra, L'Orchestre de la Suisse Romande, Leipzig Gewandhaus and all the major London orchestras.
He appears regularly in the United States and is a frequent guest artist in Australia, New Zealand, Latin America and especially Japan. Among his recent British engagements are recitals at Wigmore Hall, Symphony Hall Birmingham and the Queen Elizabeth Hall where he is a frequent guest of the International Piano Series.
Rogé was for two years the Artistic Director of Incontri in Terra di Siena, a summer festival that takes place each year in Tuscany. He is enjoying playing recitals of music for four hands/one piano with his wife, the pianist Ami Rogé.
Program
Claude Debussy
|
Petite suite
I. En bateau
II. Cortège
III. Menuet
IV. Ballet
|
"Ibéria," No. 2 from Images
I. Par les rues et par les chemins [Through Streets and
Lanes]
II. Les parfums de la nuit [The Fragrances of the Night]
III. Le matin d'un jour de fête [Morning of a Feast-Day]
| |
INTERMISSION
| |
Maurice Ravel
|
Concerto in G major for Piano and Orchestra
I. Allegramente
II. Adagio assai
III. Presto
Pascal Rogé, Piano
|
Rapsodie espagnole
I. Prélude a la nuit
II. Malagueña
III. Habañera
IV. Feria
|
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