Media Contact:
Hilarie Ashton | Public Relations Manager
hashton@usuo.org | (801)869-9027
FOR IMMEDIATE RELEASE: December 21, 2011
UTAH OPERA PRESENTS VERDI’S “RIGOLETTO”
SALT LAKE CITY – Utah Opera will present Verdi’s enduring masterpiece, “Rigoletto,” a classic tale of revenge and regret, at the Capitol Theatre January 21, 23, 25 and 27 at 7:30 p.m. and January 29 at 2 p.m.
Verdi’s opera follows Rigoletto, a hunchbacked jester notorious for ridiculing and mocking the fathers and husbands of the women dishonored by the Duke of Mantua. Rigoletto’s malicious tongue ultimately earns him a curse that haunts his every step toward revenge against the Duke for deceiving his own daughter, Gilda. In his vengeful chase, Rigoletto pays an assassin to trick and kill the duke, but finds he is the fool and instead pays for his cruel mockeries with a loss of horrific proportion.
“Rigoletto” has become a staple of the standard operatic repertoire. It contains some of opera’s most recognizable arias, such as “Questa o Quella,” “Caro Nome” and “La Donna é Mobile,” and is considered to be the first masterpiece of Verdi’s middle-to-late career.
Cast members include Guido LeBrón as Rigoletto, Robert McPherson as the Duke of Mantua, Eric Jordan as Sparafucile and local Utah favorite Celena Shafer as Gilda, Directed by Tara Faircloth. The Utah Symphony will accompany each performance, conducted by Robert Tweten. The opera will be sung in Italian with English supertitles. With two twenty-minute intermissions, approximate final curtain time will be 9:45 p.m. for evening performances and 4:15 p.m. for the matinee.
Utah Opera’s customary Opera Preview Lectures have been replaced this season with sets of in-depth online learning materials. The online course for “Rigoletto,” prepared by Dr. Paul Dorgan of the University of Utah’s School of Music, will become available January 7, free of charge, and will highlight the opera’s origin, as well as composer Giuseppe Verdi, librettist Francesco Maria Piave and “Le roi s'amuse,” the play by Victor Hugo on which the opera was based. Opera enthusiasts will also be able to access audio and video recordings of the opera and a YouTube guide to the story and music in this interactive course by clicking the “learn more” button on the “Rigoletto” page at www.utahopera.org.
Utah Opera Principal Coach Carol Anderson will offer an Opera Prelude Lecture, free of charge, in the front of the orchestra seating level of Capitol Theatre one hour before curtain of each performance.
Utah Opera Artistic Director Christopher McBeth will hold a Q&A session, free of charge, immediately following each performance in the Founders room on the mezzanine level at Capitol Theatre (50 West 200 South).
Tickets for the performances range from $16 to $75 and can be purchased by calling (801) 355-ARTS (2787), in person at the Abravanel Hall ticket office or by visiting www.usuo.org. Students can purchase discounted tickets with a student ID. Season ticket holders and those desiring group discounts should call (801) 533-NOTE (6683). Ticket prices will increase $5 when purchased on the day of the performance.
Rigoletto
Composed by Giuseppe Verdi
Libretto by Maria Piave
Based on Victor Hugo’s Le Roi s’amuse
CAST
Duke of Mantua Robert McPherson
Rigoletto Guido LeBrón
Count Ceprano Tyler Oliphant
Count Monterone Gregory Pearson**
Sparafucile Eric Jordan
Matteo Borsa Andrew Penning*
Cavaliere Marullo John Buffett*
Countess Ceprano Jennie Litster*
Gilda Celena Shafer
Giovanna Sishel Claverie*
Maddalena Kirsten Gunlogson
Page Raina Thorne
ARTISTIC STAFF
Conductor Robert Tweten
Director Tara Faircloth
Set Designer John Deegan & Sarah Conly
Costume Designer Susan Memmott-Allred
Lighting Designer Nicholas Cavallaro
Wigs and Make-up Designer Sarah Opstad
Chorus Master Susanne Sheston
Musical Preparation Carol Anderson, Daveth Clark
Guest Coach Stephanie Rhodes
Stage Manager Rachel C. Henneberry
Assistant Stage Manager Kat Slagell
* Utah Opera Resident Artist
** Former Utah Opera Resident Artist
** Former Utah Opera Resident Artist
The performance will last approximately 2:10 hours, with two twenty-minute intermissions.
SYNOPSIS
Act 1
During a ball at his palace, the Duke of Mantua tells of his designs on a beautiful girl he has seen in church. Then, admiring Count Ceprano's wife, the Duke rejoices in the beauty of women and his libertine hedonism (''Questa o quella''). When the Duke's flirtatious dance with Countess Ceprano draws the couple into another room, Rigoletto, the court jester, mocks the woman's enraged but helpless husband. The nobles, delighted by the Duke's daring, are even more amused when Marullo bursts in with the latest gossip: Rigoletto is keeping a young mistress. The jester has been so free with his jibes that Ceprano plots with other courtiers to punish him. Monterone, an elderly nobleman, forces his way in and denounces the Duke for seducing his daughter. Ridiculed by Rigoletto, Monterone hurls a father's curse at both jester and Duke.
On the way home that night, Rigoletto broods over Monterone's curse. Sparafucile steps from the shadows, offering his services as an assassin. The jester dismisses him, reflecting that his own tongue is as sharp as any murderer's dagger (''Pari siamo!''). As he enters his courtyard, Gilda, his daughter, comes out of the house to greet him. When she asks about her long-dead mother, Rigoletto describes his wife as an angel (''Deh, non parlare al misero''), adding that Gilda is everything to him. But he will not reveal his name or allow her to leave the house except to go to church. Rigoletto warns the housekeeper, Giovanna, to admit no one (''Ah! veglia, o donna''). He runs into the street when he hears someone at the gate; at the same moment, the Duke, in disguise, slips into the courtyard, bribing Giovanna to keep her quiet. The Duke declares his love to Gilda, who has noticed him in church (''È il sol dell'anima''). He says he is ''Gualtier Maldè,'' a poor student. At the sound of footsteps -- Ceprano and Borsa are rallying courtiers outside -- Gilda begs him to leave, and they exchange excited goodbyes (''Addio, speranza ed anima!''). Repeating his name (''Caro nome''), Gilda goes up to bed. Meanwhile, the courtiers stop Rigoletto and ask him to help abduct Ceprano's wife, who lives across the street. The jester is duped into wearing a blindfold and holding a ladder against his own garden wall while the courtiers break into his house (''Zitti, zitti'') and carry off Gilda. When Rigoletto hears her cry for help, he tears off the blindfold and rushes in. Not finding Gilda, he remembers Monterone's curse (''Ah! la maledizione!'').
Act 2
In his palace, the Duke is distraught over the kidnapping of Gilda, whom he imagines alone and in tears (''Parmi veder le lagrime''). When his courtiers return, saying they took her and she is now in his chamber, he dashes off to the conquest (''Possente amor mi chiama''). Soon Rigoletto enters, searching for Gilda. Though the courtiers are astonished to learn she is his daughter, they bar his way. He lashes out at their cruelty, then weeps for mercy (''Cortigiani! vil razza''). Gilda appears and runs in shame to her father. Alone with Rigoletto, Gilda tells of falling in love at church, of the Duke's courtship, of her abduction (''Tutte le feste al tempio''). When Monterone is led through on his way to the dungeons, Rigoletto declares he will avenge them both (duet: ''Siì, vendetta'').
Act 3
Rigoletto and Gilda wait outside the inn where Sparafucile and his sister, Maddalena, live. Rigoletto makes Gilda look through an opening in the wall. She sees the Duke, disguised as a soldier and laughing about the fickleness of women (''La donna è mobile''), trying to seduce the assassin's sister. Rigoletto cautions his daughter and plots revenge, as Maddalena draws out the libertine (quartet: ''Bella figlia dell'amore''). Telling Gilda to dress as a boy, the jester sends her to Verona, then pays Sparafucile to murder the Duke and leaves. A storm breaks. Gilda returns to overhear Maddalena urging her brother to spare the stranger. Sparafucile agrees to substitute the next person who comes to the inn. Gilda, resolved to sacrifice herself, knocks at the door and is stabbed. Rigoletto returns to claim his prize -- only to hear his supposed victim singing in the distance. Frantically opening the sack, he finds his daughter. Gilda dies asking forgiveness.
BIOS
Tara Faircloth (Texas)
Stage Director
Utah Opera mainstage debut
Recently:
Il Barbiere di Siviglia, Tulsa Opera;
Sweeney Todd, Wolf Trap Opera;
Denise & Seymur (world premiere), Houston Grand Opera
Upcoming:
Il Trovatore, Opera Colorado;
The Rake's Progress, Wolf Trap Opera.
Robert Tweten (Canada)
Conductor
Most recently at Utah Opera, Falstaff
Recently:
Pagliacci/Gianni Schicchi, Calgary Opera;
Tosca, Edmonton Opera, Vancouver Opera, Opera Birmingham;
Die Zauberfloete, Sarasota Opera;
La Cenerentola, Austin Lyric Opera
Upcoming:
Il Barbiere di Siviglia, Vancouver Opera;
Fidelio, Edmonton Opera
Guido LeBrón (Puerto Rico)
Rigoletto
Most Recently at Utah Opera, Tosca
Recently:
Rio de Sangre, Florentine Opera;
La Traviata, Tri-Cities Opera;
Il Trovatore, Atlanta Opera;
La Bohème, Opera de Puerto Rico
Upcoming:
Fidelio, Fargo-Moorhead Opera;
Rigoletto, Opera Saratoga
Robert McPherson (Federal Way, WA)
Il duca di Mantua
Most recently at Utah Opera, Don Pasquale
Recently:
Il Viaggo a Reims, Vlaamse Opera;
L'italiana in Algeri, Florentine Opera, Washington National Opera;
La Fille du Regiment, La Juive, Il viaggo a Reims, New Israeli Opera
La Fille du Regiment, La Juive, Il viaggo a Reims, New Israeli Opera
Upcoming:
Albert Herring, Los Angeles Opera;
Les pêcheurs de perles, English National Opera;
Turn of the Screw, New Israeli Opera
Celena Shafer (Utah)
Gilda
Most recently at Utah Opera, La Bohème
Recently:
Messiah, Phoenix Symphony;
Albert Herring, Santa Fe Opera;
Mozart Requiem, Detroit Symphony
Upcoming:
Carmina Burana, Carnegie Hall
Gregory Pearson (Utah/Arkansas)
Monterone
Most recently with Utah Opera, Fidelio
Recently:
Tosca, Wildwood Opera;
Grapes of Wrath, Pittsburg Opera;
La Traviata, Archorage Opera
Upcoming:
Hosanna, Lex de Azevedo
Monterone
Most recently with Utah Opera, Fidelio
Recently:
Tosca, Wildwood Opera;
Grapes of Wrath, Pittsburg Opera;
La Traviata, Archorage Opera
Upcoming:
Hosanna, Lex de Azevedo
John Buffett (Ohio)
Most recently at Utah Opera, Little Women
Recently:
Hansel and Gretel, Opera Memphis;
La Bohème, Mercury Opera Rochester;
Acteon, Boston Early Music Festival;
Fellow, Tanglewood Music Center;
Current Utah Opera Resident Artist
Upcoming:
L'Elisir d'Amore (cover) Utah Opera
Sishel Claverie (Guadalajara, Mexico)
Utah Opera Debut, Countess Ceprano in Rigoletto
Recently:
The Consul, Opera New Jersey;
To Cross the Face of the Moon, Houston Grand Opera;
Ariadne auf Naxos, Rice Opera;
Così fan tutte, Moores Opera Center;
Current Utah Opera Resident Artist
Kirsten Gunlogson (Salt Lake City)
Maddalena
Most recently at Utah Opera, Madama Butterfly
Recently:
Grapes of Wrath, Anchorage Opera;
Le Nozze di Figaro, Opera Columbus and Nashville Opera;
Rigoletto, Austin Lyric Opera;
Upcoming:
Cherubino, Lyric Opera Baltimore
Jennie Litster (Nevada)
Utah Opera Debut
Recently:
Le Nozze di Figaro, Opera San Jose;
Don Giovanni, Livermore Valley Opera;
Die Fledermaus, Center Stage Opera;
Current Utah Opera Resident Artist
Tyler Oliphant (Utah)
Ceprano
Most recently at Utah Opera, Gianni Schicchi
Recently:
The Pilgrim, Cathedral of the Madeleine;
Pirates of Penzance, Opera San Luis Obispo;
Pirates of Penzance, Indianapolis Opera
Upcoming:
Madama Butterfly, Bozeman Opera
Ceprano
Most recently at Utah Opera, Gianni Schicchi
Recently:
The Pilgrim, Cathedral of the Madeleine;
Pirates of Penzance, Opera San Luis Obispo;
Pirates of Penzance, Indianapolis Opera
Upcoming:
Madama Butterfly, Bozeman Opera
Andrew Penning (Minnesota)
Borsa
Utah Opera debut
Recently:
The Dialogues of the Carmelites, University of Cincinnati;
The Rape of Lucretia, CCM Spoleto;
Candide, Seagle Music Colony;
Current Utah Opera Resident Artist
Raina Thorne (Utah)
Page
Most recently at Utah Opera, Suor Angelica
Page
Most recently at Utah Opera, Suor Angelica
Recently:
The Merry Widow, The Ohio Light Opera;
Little Women, University of Utah Lyric Opera;
L'Incoronazione di Poppea, La Musica Lirica
Sarah Annette Opstad (Colorado)
Wig and Makeup Designer
Utah Opera Debut
Recently:
The Nutcracker, Colorado Ballet;
Ragtime, The Arvada Center;
La Cenerentola, Opera Colorado;
Upcoming:
Marriage of Figaro, Opera Colorado
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Hilarie Ashton
Public Relations Manager
801.869.9027 office
801.869.9027 office
801.335.9387 cell
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