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Wednesday, March 20, 2013

The Exit Interview @ Salt Lake Acting Company SLC: (April 10 - May 5)

For Immediate Release
SALT LAKE ACTING COMPANY PRESENTS THE ROLLING WORLD PREMIERE OF ‘THE EXIT INTERVIEW’ BY WILLIAM MISSOURI DOWNS
AND DIRECTED BY JOHN CAYWOOD

“The management is not responsible for: Lost items! Misplaced tickets! Or any existential uncertainty or metaphysical isolation that may result!”

Salt Lake Acting Company is pleased to present THE EXIT INTERVIEW by William Missouri Downs April 10 – May 5, 2013. This arresting comedy is a National New Play Network Rolling World Premiere that tells the story of Professor Dick Fig who has been terminated by his university. Through his awkward and bizarre exit interview with the droll administrator Eunice, Fig is faced with his views on love, politics, science, religion and death, all while cheerleaders, newscasters, priests and scientists stroll in and out of the comic Brechtian world of the play.

Salt Lake City audiences have the chance to see hilarious, bold and fresh theatre with THE EXIT INTERVIEW. This raucous comedy explores the major questions of human existence within a staged world of absurdity. The questions drummed up by THE EXIT INTERVIEW are not easy, but the play is easily one of the most enjoyable and interesting nights of theatre Utah audiences will have. No philosophy, religion or belief system is safe from playwright William Missouri Downs who says, “Expect the unexpected. Wake up. There’s no slow fade up in this play. No bland expositional scene. No scene where the characters enter, take off their coats to get comfortable and start talking. The [opening] scene is designed to wake the audience up! Oh, it’s also absurdly funny.” From the moment the audience walks into the theatre until the unexpected ending, this show will keep audiences laughing and thinking.

THE PLAYWRIGHT
SLAC is excited to offer the rolling world premiere of the work of the exciting, edgy WILLIAM MISSOURI DOWNS who holds an MFA in acting from the University of Illinois and an MFA in screenwriting from UCLA. He was also trained in playwriting at the Circle Repertory Theatre in New York under Lanford Wilson and Milan Stitt. Since, he has authored over twenty plays, including INNOCENT THOUGHTS, the winner of the National Playwright's Award; JEWISH SPORTS HEROES AND TEXAS INTELLECTUALS, which took first place at the Mill Mountain Theatre's Festival Of New Plays; SEAGULLS IN A CHERRY TREE, the winner of the Larry Corse Prize for playwriting; and KABUKI MEDEA, which won the Bay Area Critics Award for best production in San Francisco and the Jefferson Award for best production in Chicago. Mr. Downs has had nearly 100 productions from New York to Singapore and from Israel to South Africa, including LORT theatres like the Kennedy Center and the Berkeley Rep. He is a full voting member of both the Dramatists Guild and the Writers Guild of America. While in Hollywood, Mr. Downs wrote for such NBC sitcoms as MY TWO DADS (starring Paul Reiser), AMEN (starring Sherman Hemsley), and THE FRESH PRINCE OF BEL-AIRE (starring Will Smith). He also won the Jack Nicholson Award for screenwriting and sold the movie EXECUTIVE PRIVILEGE to Tri-star.

After many years in Manhattan and Hollywood, Mr. Downs now enjoys living in the wide-open spaces of Wyoming. As head of the playwriting program at the University of Wyoming, Bill has won over a dozen teaching and research awards. He also teaches in the Religious Studies Department. His favorite thing to do is to find ancient temples and theatres - this quest has taken him to Egypt, France, Turkey, England, Greece, Italy, and China. Additionally, Mr. Downs is also the author of a number of books including: THE ART OF THEATRE (Wadsworth) an introduction to theatre book used at over 100 universities, NAKED PLAYWRIGHTING (Silman/James) a popular writing guide, and SCREENPLAY: WRITING THE PICTURE (Silman/James), which is used at top film schools in the United States and Poland. Samuel French and Playscripts have also published several of his plays.

DIRECTOR
JOHN CAYWOOD returns to SLAC following earlier productions of GOD OF CARNAGE, BATBOY, INCORRUPTIBLE and six versions of SATURDAY’S VOYEUR.  John landed in SLC in 1987 from New York City for a one season residency at Pioneer Theatre Company.  After 13 seasons with the company, John became Producing Artistic Director at Park City’s Egyptian Theatre Company.  Other Utah directing assignments include The Grand, Tuacahn, Sundance Summer Theatre and Utah Musical Theatre. Other memorable projects include BATBOY, THE MUSICAL, and RUTHLESS, THE MUSICAL.  John is the Interim Executive Director of Kingsbury Hall at the University of Utah. 

CAST
DARRIN DOMAN (Dick Fig) once again comes to SLAC having previously been seen as Alan Raleigh in GOD OF CARNAGE, Charlotte von Mahlsdorf (understudy) in I AM MY OWN WIFE and appearances in SLAC’s New Play Sounding Series—Reader, (a man enters); Dad, TRENCH COAT IN COMMON; Bart, THE THUGS; Mike, 14 and Reader, MAMMOTH.  Additionally, Darrin was Musical Director for SLAC’s productions of CLICK CLACK MOO: COWS THAT TYPE and HOW I BECAME A PIRATE as well as vocal coach for THE CLEAN HOUSE. He was also seen playing Cosme McMoon in SOUVENIR for Utah Contemporary Theatre.

Joining Darrin is NELL GWYNN (Eunice) who returns to SLAC after playing Veronica Novak in GOD OF CARNAGE.  Other SLAC credits include THE PERSIAN QUARTER and ANGELS IN AMERICA.  She has numerous New York and regional credits. A short list includes: Tamara in CANDY & DOROTHY (GLAAD Award Winner), Lauren in KISS & CRY (Innovative Theatre Nomination, Best Supporting Actress), Regan in KING LEAR, Beatrice in MUCH ADO ABOUT NOTHING, Celia in AS YOU LIKE IT, Maria in TWELFTH NIGHT and Lady Macbeth for both Frog & Peach and Theatre 22 companies. She can be seen at Film Festivals around the country in the short film, RED FLAG, which won the Audience Award for Comedy at the Palm Springs Film Festival. She most recently completed the filming of playwright David Johnston's MOTHRA IS WAITING, a short film directed by Kevin Newbury and hitting film festivals in 2013. 

TERENCE GOODMAN (Actor #2) joins the cast and appeared last year in (a man enters) penned by Elaine Jarvik and Kate Birch. Other regional credits are CHICAGO (Billy Flynn) at the Pioneer Theatre Company, ELIOT NESS IN CLEVELAND (Al Capone) at The Denver Center and GREAT EXPECTATIONS (Joe the blacksmith) at The Goodspeed Opera Company. Broadway First National Tours include, the original JESUS CHRIST SUPERSTAR, DAMN YANKEES 1st revival with Gwen Verdon and Ray Walston, and as Captain Smith in TITANIC. Goodman has been seen in films from ODE TO BILLY JOE in 1976 to the soon to be released this spring, 95ERS:ECHOES. He was a series regular on DAYS OF OUR LIVES and guest starred on such legendary sitcoms as LAVERN AND SHIRLEY, THREE’S COMPANY, THE FALL GUY, and HILL ST. BLUES, amongst others.

SLAC’s own CASSANDRA STOKES-WYLIE (Actress #2) was most recently seen in Pygmalion Production’s, CHEAT, as Roxy, SLAC’s reading of LOVE, LOSS, AND WHAT I WORE, as Mrs. Givings in THE VIBRATOR PLAY with Pygmalion Productions, and Elizabeth Proctor in THE CRUCIBLE at the Grand Theatre. Other local credits include various characters in THE GOOD BODY with Pygmalion, the Reader for ANGELS IN AMERICA: PART 2, PERESTROIKA at SLAC, Shudder and Stella in THE HARVEY GIRLS during SLAC’s Fearless Fringe Festival, Anna in Utah Theatre Artists Company’s production of BURN THIS and the Governess in their production of THE TURN OF THE SCREW.  Cassandra is a graduate of the Actor Training Program at the University of Utah and spent a season with the Milwaukee Repertory Theatre’s acting internship program where she performed in PRIDE AND PREJUDICE, THE CHERRY ORCHARD, STATE OF THE UNION and understudied their one woman show THE BLONDE, THE BRUNETTE AND THE VENGEFUL REDHEAD. 

BIJAN HOSSEINI (Actor #1) returns to SLAC having been previously seen in TOO MUCH MEMORY, CHARM (understudy), and the NPSS readings of THE PERSIAN QUARTER and DEVIL DOG SIX. He has also worked with Plan-B, Pygmalion, Sting & Honey, the Babcock, the Classic Greek Theatre Festival, Pinnacle, Around the Globe, Wasatch, UTAC, Holiday Arts and SLCC. He is currently touring with Pygmalion and Art Access' production of THE MYSTERIOUS, HAPPY LIFE OF BROWN BAG.

MARIN KOHLER (Actress #1) who will graduate in the spring from the University of Utah with a B.F.A. in Theatre, and a minor in International Studies, rounds out the cast. She was last seen at SLAC as Rachel in END DAYSOther favorite credits include A MIDSUMMER NIGHT’S DREAM (Bottom), STOP KISS (Callie), HAY FEVER (Jackie Coryton), THE AFFAIR (Angela), and The Classical Greek Theatre Festival’s THE BAKKHAI (Chorus).

ARTISTIC TEAM
Director                                                           John Caywood
Set Design                                                        Keven Myhre
Costume Design                                               Brenda Van Der Wiel
Lighting Design                                                James M. Craig
Sound Design                                                  Josh Martin
Dialect Coach                                                  Sandra Shotwell
Choreographer                                                 Cynthia Fleming
Production Stage Manager                               Janice Jenson

THE EXIT INTERVIEW
By William Missouri Downs
Directed by John Caywood

WHEN:          
April 10 – May 5, 2013
Wednesday - Saturday, 7:30 p.m.
Sunday, 1:00p.m., 6:00 p.m.

WHERE:
Salt Lake Acting Company
168 West 500 North, Salt Lake City, Utah, 84103
Box Office: 801-363-7522
Open 10:00 a.m. – 6:00 p.m., Mon – Fri

MORE INFO: 
Single tickets range from $15 – $42, depending on the performance.
Student, Senior and 30 & Under discounts are available.
Discounts are also available for groups of ten or more.
Subscribers always pay the lowest price.

SLAC is a not-for-profit 501(c) in 1970 and is dedicated to producing, commissioning and developing new works and to supporting a community of professional artists.  SLAC has been nationally recognized by the Shubert Foundation, the National Endowment for the Arts, the Pew Charitable Trusts and the Edgerton Foundation, among others. SLAC operates under a STP Actors Equity Association contract. SLAC is a Constituent Member of Theatre Communications Group, a national organization for non-profit professional regional theatres, and the National New Play Network.

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